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Shanna & Languages

Of translation, books, languages and me

June 21, 2021

Review: Sweet Bean Paste

My friends know I love books, but it’s actually rare that I receive a book gift. Most choose to get me book vouchers, so that I can choose to get the books I want. But somehow it’s just extra special when people take the time and effort to pick out a book for me, whether it’s something that they think I’ll like, or a book which they love and want to share with me.

I received this book as a gift from a dear fried. It came to me at a time when I was not in the best shape and going through a tough time. The gesture was sweet, and while I probably didn’t verbalise it, I was touched. It took me a long time to finish the book, because I went back to re-read chapters and towards the end, I read it really slowly, wanting to savour every sentence. I didn’t want to part with the book, having gotten so much comfort and warmth from the writing. After finishing the last page of the book, it felt like I had received a double gift: a gift of the book, and a gift through the book.

Sweet Bean Paste tells the tale of Sentaro, a man who has a criminal record, who drinks too much and nowhere near to achieving his dream as a writer. He is described as a man who has failed, spending his time working in a small confectionery shop selling dorayaki, which he doesn’t even like. He goes through the motions of his work everyday, but does not feel any pride and enthusiasm in it. Everything changed when he met Tokue, an elderly woman with disfigured hands who walked into the shop one day asking for a job. She makes the best sweet bean paste Sentaro ever eaten and as their friendship blossoms, we learn more about Tokue’s troubled past and her secret.

I read the book when I was at a life juncture – closure of a chapter of my life and beginning something different. I was wondering about the meaning of life, and questioning my life choices (and getting questioned). Durian Sukegawa‘s story, deftly translated by Alison Watts, was a much needed reminder that we are all unique individuals experiencing the world in our own way and we are all equal in our relationship to the world. The book had a calming effect on me – it soothed the anxiety in me and the poignant tale provided me some warmth on the days my heart was cold.

All experience adds up to a life lived as only you could. I feel sure the day will come when you can say: this is my life. You may never become a writer or a master dorayaki cook, but I do believe there will be a time when you can stand tall as yourself in your own unique way.

This is probably my favourite line in the story. I needed to hear this, that it was okay not to be “useful” or to excel. It’s okay to just be ourselves, and it doesn’t make us any lesser of a person if we are not a useful member of society, and we have not failed just because we did not achieve what we wanted to do.

Thank you, for the story. I’m thankful to be able to read it, and to have gotten to know the friend who gifted this to me.

I hope that in sharing about the book, more people can discover this gem. ♡

Find it at One World (publisher) and BooksActually (based in Singapore).

p.s. I’m craving for good dorayaki again after writing this.

Book Recommendations | Reviews, Japanese (日本語) Leave a Comment

May 2, 2021

钢笔淡彩:韩国南海度假屋

在接触钢笔淡彩之前,我一直都很喜欢拍照,其中也非常喜欢旅游时拍房屋和店面的照片。特别喜欢那种虽然店面小,但布置处处都非常细心别致,体现店主的风格。比起大型商场和连锁店的店面,这种小店更能体现热诚和温馨。每一张照片也充满旅行时的回忆,对我来说是特别的。所以决定选择几张照片,把它们画出来。比起在网上搜一些特别美丽的店面,用自己的照片更有意义。在画画的过程,也能仔细观察照片里的一些小细节。

这里是韩国南海的度假屋。几年前和好友一起到南海旅游,就因为南海是我们喜欢的韩剧《梦幻情侣》 환상의 커플 的拍摄景点。哈哈哈。真的很逗。我们也没有特别勤奋的搜索那里的打卡景点,只知道电视剧主角的房屋在南海的德国村(독일마을)。也因为故事里的女主特别喜欢吃炸酱面,所以炸酱面也成了我们在那里的必吃美食。(然而,那里也不是以炸酱面出名…)

那次的旅行可说是状况连连。因为当天是公休日,所以很多往首尔外城市的巴士票都卖光了。我们之前并没有想到这点,所以在买票时听到没票了,当场傻眼。售票员就告诉我们不然就买张票到南海附近的城市,然后再那里转车到南海。因为我们也订好了南海的度假屋,所以怎么说也不能浪费住宿费(又要花钱在首尔寻宿舍)。就照办了。

中间曲曲折折,终于在几乎半夜抵达南海。(我们是凌晨七点抵达韩国仁川机场的)

这里不是我们的度假屋,但觉得非常漂亮。那时应该是凌晨吧。阳光特别柔和。好想再去那里。

完成线稿了!还是用尺方便。哈哈哈。

远看还挺好看的。

哈哈哈真的不会上色。尤其是树木花草。哈哈后面那块树林还真的是非常敷衍的上色方式。我尽力了。然后,发现哪个部分怪怪了吧?右边那里本来想试试画照片里的光,然后….就忘了。哈哈哈哈。下次再补补吧。不然那围栏还真是危险哈哈哈。

钢笔淡彩 Leave a Comment

April 25, 2021

钢笔淡彩 Fountain Pen Watercolor

艺术细胞几乎零的我,最近迷上了钢笔淡彩。更准确地说应该是前天开始。我其实对水彩画感觉一般,尤其是抽象的。但不知道为什么就是非常喜欢钢笔淡彩的风格。所谓钢笔淡彩,就是先用钢笔勾画图案,然后再以水彩上色。很多钢笔淡彩的画风都偏温馨,颜色也大多偏淡,比较少用鲜艳或是大胆的颜色。看过的钢笔淡彩画可以分成几大类:店面/屋子,食物和甜品。我特别喜欢店面的钢笔淡彩画,有很多细节,感觉也特别温馨。

本来我也是持着纯欣赏的心情,但是前天在小红书刷到了@ Hsu LuLi 的作品。不知为什么,就真的被吸引。一口气看了她几乎所有的话。然后,我就产生了想试试的想法。哈哈哈哈。这是什么魔性的魅力呀。然后隔天我就特地去艺术用品店采购了一些基本的工具。这是我一贯的神速操作。想做就要马上做,我特别不喜欢等待的感觉。 嗯,挺冲动派的。人生嘛~没有一些冲动是不行的。(借)(口)

很多事我也是三分钟热度,希望这次自己能够坚持。我也不想给自己太多压力。我是属于那种越给我压力,我越不想做的类型。人生里唯一坚持不懈的爱好是学习外语。自己也没想到。那时真的是打着试试的想法开始的,谁会知道十三年后,我依然热爱外语,也从原本的韩语扩大到学习日语和泰语。重要的是坚持,但更重要的是要享受学习的过程。不要太急于看到成果。

我的手特别不稳,平时拿东西的时候也抖。这样的手用钢笔画画还挺难的哈哈哈。再接再厉。第一个作品是临摹@Hsu LuLi的画。

这是最初的线稿。对事物的比例还不能拿捏好。

然后再用钢笔完成线稿。哈哈哈。用铅笔是还好,因为可以用尺,手抖得不明显。因为用钢笔时不能用尺,结果惨不忍睹。

完成了!哈哈用色的搭配还真的是有待加强):可是还是挺满意的。(对自己的美术程度没啥期许和要求)

希望能在这里继续分享我的画画旅程。称之为《自我感觉良好》系列。

钢笔淡彩 Leave a Comment

April 13, 2021

需要治愈的夜晚

某天的夜晚。那一天莫名的心累。很想歇斯底里的大哭一场,释放压在胸口的那口闷气。但是想到晚上还有工作,就只要忍着,把那股闷气继续压着。因为不想把负面情绪带到工作上,所以趁着空档试着放松一下。每当遇到不顺心的事,最想做的就是一个人听着戴佩妮的所有歌曲。她的声音,唱着的歌词和旋律都让我莫名安心。这样的习惯从中学一年级到现在,从不改变。

那晚特别想听戴佩妮的《等你回来》。虽然心里的郁闷和歌词不是一致的,但是她的那句:

街灯一盏盏的暗 摇开车窗 等待天亮
空气有你的发香 是一种奢侈的幻想
我一个人坐在车厢 听着CD 数着烟蒂
夜究竟它有多长 你若不在 夜很漫长

我看着街上的人来来往往 经过我的车窗
却没有谁的眼神可以代替 安抚我的悲伤

在那一个晚上,那一段歌词莫名能触动我心里那根紧绷着的弦。想象着我在一个繁忙的城市里,车子漫无目的往前开,而我靠在窗边,看着那城市的灯火和景色,还有街上的人群。瞬间,那股闷气好像没那么难受了。♡

人与人之间的情感,时而坚固如山,时而脆弱如飘浮的云。很多时候,人与人之间能成为朋友,是因为某些因素把两个人牵到了一块去。随着时间的流逝,当时的因素变了或是不复存在了,人与人的情感淡了,或是变质了。不再是同个阶段的人,只能越走越远,硬是凑在一块,只能聊聊想当年的美好时光。因为现在的生活少了共同点,也就没有共同的话题了。听着对方说着与自己遥远的人和事,只能礼貌的点点头。

戴佩妮的歌曲陪我走过了人生的起起伏伏,某个层面上,可以堪比多年的好友。默默的在我身边,抚平我起起落落的情绪。

在我恢复之前,只想一个人静静的待着。窗外风景,手里一本书,桌上一杯茶,还有戴佩妮的歌声。

Thoughts Leave a Comment

April 8, 2021

一本书,一杯茶

虽然说新加坡的天气一向善变,但最近多变的天气还真的让人吃不消。早上还艳阳高照,下午就大雨倾盆。天气如人生一样难以预测,而我每天都在愁着适合两种天气的衣着。本来就比较居家(宅)的我,越发懒得出门。只有几个好友能让我心甘情愿的外出。

人嘛,一天天过,挑每天最想做的,最高兴的事来做。

墨宝非宝《在暴雪时分》

很向往这样的心境。人生短短,如果不适当留些时间给自己,何时能真正体会生活。

一本书,一杯茶。

这是我一天最喜欢的时光。沉浸在书的世界,和文字交流。疫情期间,虽然无法动身看世界,但通过文字,我也穿山越岭,穿越时空,游走在故事的世界里。时而安逸,时而感慨。这是于我而言语文、文字的魅力。

近日在看的韩语小说,几年前同名的电影也上映了。

Thoughts Leave a Comment

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Me.

Just a girl from Singapore who is in love with all things languages. I tweet at @heyimshanna

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